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La Musique Armoriale au Brésil (XXe siècle) : l’œuvre de Capiba, entre tradition et érudition

Abstract : This work presents the Armorial Movement and Armorial Music as knowledge fields, using as reference the scholarly work of the popular composer Capiba (Lourenço da Fonseca Barbosa), his link with the author and playwright Ariano Suassuna and an analysis of his Grande Missa Armorial. The geographical space of this research is concentrated between the states of Pernambuco and Paraíba in the Northeast of Brazil and applies to the period between 1946 and 2000 (XX century). This thesis observes the reaction of the music community and about this "new" sonority. The Armorial Movement has provoked a dynamism in the way of transition of a traditional and popular music can be translated in a musical language. Other Masses will also be mentioned: Kyrie / Gloria (Unfinished Mass) by Cussy de Almeida, the Missa Nordestina by Clovis Pereira and The Mass of Alcaçus by Danilo Guanais.
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Submitted on : Wednesday, September 28, 2022 - 1:02:15 AM
Last modification on : Thursday, September 29, 2022 - 4:30:09 AM


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  • HAL Id : tel-03790066, version 1


Julie Cássia Cavalcante Correia da Silva. La Musique Armoriale au Brésil (XXe siècle) : l’œuvre de Capiba, entre tradition et érudition. Musique, musicologie et arts de la scène. Université de Nanterre - Paris X, 2019. Français. ⟨NNT : 2019PA100101⟩. ⟨tel-03790066⟩



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